Theatrical Poster |
Well what to talk about first. Let's start with the characters. The protagonist Willard is a soldier at breaking point. We first see him at his hotel room completely wasted and destroying everything. He lacks the purpose or drive that war gives. Already here we are seeing the dark allure of war. So he requests high command to give him a mission, which they readily give him- to kill Kurtz. During the film Willard is completely passive towards everything, only intervening in order to aid his mission e.g. killing an injured Vietnamese woman so that the crew won't waste time helping her and will instead press on with the mission. However, during the course of the film we see Willard begin to develop a fascination for Kurtz. It becomes more and more ambiguous as to whether he will kill Kurtz or join him. Willard's obsession with Kurtz displays one of the films major themes- an idea of not lying about the brutality of war, or at very least recognising the arbitrary laws of being able to kill a man one way but not another. Willard is so obsessed with Kurtz because it seems to him that Kurtz is just like every other man in the war- killing violently with obscene acts of brutality. The difference is however, that Kurtz is honest about it and does not operate within the superficial bounds set by the military.
Martin Sheen as Willard |
Marlon Brando as Kurtz |
'I love the smell of Napalm in the morning' Robert Duvall as Kilgore |
The film has a blatant anti-war message which is why I am so surprised that some critics thought that the film was pro war. The best example is when Lieutenant Colonel Kilgore (Robert Duvall) orders a search and destroy mission on a village, killing lots of women and children, purely so he can see a famous surfer at work on the better waves in that area. During the previous scene there are blatant anti war images as well such as a Vietnamese soldier lying on the floor holding his guts in when Kilgore comes across him, offers him water and then is immediately distracted by the news that a famous surfer is in the company. The fact that death has become so much the norm that you could leave a dying man just to see a sports star just shows the baseness and depravity of war. Another example is when two American soldiers are standing in the village centre telling the villagers 'we're here to help you' as the rest of the US forces destroy these peoples homes.
One of the main themes in Apocalypse Now is that why is the destruction of entire villages with Napalm less mad than Kurtz's own brutal methods? Again the only difference is that Kilgore remains in the arbitrary laws set down by the US military whereas Kurtz doesn't. This theme of the lies of war are again shown here. This is why Willard is so drawn to Kurtz- because at least Kurtz is open about his methods, he does not seem false.
Basically I could rattle on for days about Apocalypse Now without even touching the surface of all there is to say about this truly amazing film. But for those of you who are perhaps less intellectually minded Apocalypse Now is also a brilliant film in 'regular' film terms. Production wise it is epic- everything looks completely real. It has a compelling plot and it is shot with beauty which is ironic concerning the brutal content of the film (that's another point- during the famous search and destroy scene Kilgore plays Wagner's Ride of the Valkyries. The juxtaposition of this highly artful and skilled piece of music with the complete and brutal destruction of a village again shows the films anti war leanings).
So in conclusion, this film is utterly compelling, tense, intelligent and on rare occasion moving. After watching Apocalypse Now you will never think the same way again.
Ratings: Entertainment: 10 Technical: 5 Intelligence: 5= 20/20 *****
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